Selected Publications

• The Sung Self of Syllables: Interpretive Paradigms for Contemporary Vocal Music shown in compositions by Leroux, Chin, Lim, and Furrer (2015)

  Methodological research on contemporary chamber music for women’s voices, 1980-2010, which uses non-linguistic text. Semiotics and Critical Theory help to illuminate meaning-production in works which refuse to “mean” anything in words, inviting scholars, singers, and audiences to reimagine the possibilities for what may be communicated in such works.

• Hyperlistening (2015)

  An exploration of “hyperinstruments” and their implications for listening practices. Published on The Avid Listener, a website dedicated to inventive scholarship for readers of all backgrounds and levels of musical knowledge.

• “Poetry Traced in the Air: Electronic Mediation, Musicalized Language, and Embodiment in Leroux’s Voi(rex)” in Time and Space in Words and Music (2010)

  Article in a multi-genre publication capturing literary and musical scholarship on the intermedial relationship between words and music.